Kryztology

Don't say it's a cult!
Designed by Redfield.

Anstoß

Text

It is important to bear in mind the two primary meanings of Anstoss in German: check, obstacle, hindrance, something that resists the boundless expansion of our striving, but also impetus, stimulus, something that incites our activity. Anstoss is not simply the obstacle the absolute I posits to itself in order to stimulate its activity so that, by overcoming the self-posited obstacle, it asserts its creative power, like the games the proverbial perverted ascetic saint plays with himself by inventing ever new temptations and then, in successfully resisting them, confirming his strength. If the Kantian Ding an sich corresponds to the Freudian-Lacanian Thing, Anstoss is closer to objet petit a, to the primordial foreign body that “sticks in the throat” of the subject, to the object-cause of desire that splits it up: Fichte himself defines Anstoss as the non-assimilable foreign body that causes the subject division into the empty absolute subject and the finite determinate subject, limited by the non-I. Anstoss thus designates the moment of the “run-in”, the hazardous knock, the encounter of the Real in the midst of the ideality of the absolute I: there is no subject without Anstoss, without the collision with an element of irreducible facticity and contingency – “the I is supposed to encounter within itself something foreign.” The point is thus to acknowledge “the presence, within the I itself, of a realm of irreducible otherness, of absolute contingency and incomprehensibility… Ultimately, not just Angelus Silesius’s rose, but every Anstoss whatsoever ist ohne Warum.” In clear contrast to the Kantian noumenal Ding that affects our senses, Anstoss does not come from outside, it is stricto sensu ex-timate: a non-assimilable foreign body in the very core of the subject – as Fichte himself emphasizes, the paradox of Anstoss resides in the fact that it is simultaneously “purely subjective” and not produced by the activity of the I. If Anstoss were not “purely subjective”, if it were already the non-I, part of objectivity, we would fall back into “dogmaticism”, i.e. Anstoss would effectively amount to no more than a shadowy remainder of the Kantian Ding an sich and would thus bear witness to Fichte’s inconsequentiality (the commonplace reproach against Fichte); if Anstoss were simply subjective, it would present a case of the subject’s hollow playing with itself, and we would never reach the level of objective reality, i.e. Fichte would effectively be a solipsist (another commonplace reproach against his philosophy). The crucial point is that Anstoss sets in motion the constitution of “reality”: at the beginning is the pure I with the non-assimilable foreign body in its heart; the subject constitutes reality by way of assuming a distance towards the Real of the formless Anstoss and conferring on it the structure of objectivity. What imposes itself here is the parallel between the Fichtean Anstoss and the Freudian-Lacanian scheme of the relationship between the primordial Ich (Ur-Ich) and the object, the foreign body in its midst, which disturbs its narcissistic balance, setting in motion the long process of the gradual expulsion and structuration of this inner snag, through which (what we experience as) “external, objective reality” is constituted.

Deleuze and the Lacanian Real - Slavoj Zizek « The Symptom



August 16, 2010, 2:16pm

Comments (View)

INTERVIEW WITH YOKO ONO (1984)

Text

November 1984 
New York City



Q: We crossed out death on our list.

YO: Yes, we have rather exhausted that subject, I think. I’m not 
going to say “no” to any issue. In other words, don’t worry 
about it, it just scared me when I saw the list, but you know, 
if you just ask me naturally, it doesn’t hurt me. It will be 
like a Rorschach test. When you say something, something comes 
to my head, I’ll say it-so don’t worry. 

Q: Okay, the first subject area is music and art, and the basic 
question is, what do you think the sources and/or purposes of 
music are?

Read More



December 25, 2009, 1:55am

Comments (View)

You have eight balls, all of the same size…

Text

…7 of them weigh the same, and one of them weighs slightly more. How can you find the ball that is heavier by using a balance and only two weighings?

Read More



November 05, 2009, 10:45pm

Comments (View)

A Report to an Academy

Text

Honored members of the Academy!


You have done me the honor of inviting me to give your Academy an account of the life I formerly led as an ape.


I regret that I cannot comply with your request to the extent you desire. It is now nearly five years since I was an ape, a short space of time, perhaps, according to the calendar, but an infinitely long time to gallop through at full speed, as I have done, more or less accompanied by excellent mentors, good advice, applause, and orchestral music, and yet essentially alone, since all my escorters, to keep the image, kept well off the course. I could never have achieved what I have done had I been stubbornly set on clinging to my origins, to the remembrances of my youth. In fact, to give up being stubborn was the supreme commandment I laid upon myself; free ape as I was, I submitted myself to that yoke. In revenge, however, my memory of the past has closed the door against me more and more. I could have returned at first, had human beings allowed it, through an archway as wide as the span of heaven over the earth, but as I spurred myself on in my forced career, the opening narrowed and shrank behind me; I felt more comfortable in the world of men and fitted it better; the strong wind that blew after me out of my past began to slacken; today it is only a gentle puff of air that plays around my heels; and the opening in the distance, through which it comes and through which I once came myself, has grown so small that, even if my strength and my willpower sufficed to get me back to it, I should have to scrape the very skin from my body to crawl through. To put it plainly, much as I like expressing myself in images, to put it plainly: your life as apes, gentlemen, insofar as something of that kind lies behind you, cannot be farther removed from you than mine is from me. Yet everyone on earth feels a tickling at the heels; the small chimpanzee and the great Achilles alike.

Read More



November 04, 2009, 5:17pm

Comments (View)
Photograph

Tony Blair Illusion
Vision scientist Stuart Anstis of the University of California, San Diego, created this illusion in 2005 to celebrate the 25th anniversary of the Thatcher illusion. Anstis reasoned that if face-neurons prefer right-side up face-features, they should also be selective for other evolutionarily stable aspects of faces. He tested this idea by comparing positive and negative images of Tony Blair. Because we have evolved to see faces only in positive contrast, it follows that the perception of individual face-features should fail if shown in negative. As with the Thatcher illusion, manipulating the whole face (as in panel A) made it less recognizable than the normal face (in panel C). Using positive images of the mouth and eyes overlaid on a negative face doesn’t look particularly grotesque either (as in panel B). But a positive image of Blair with negative mouth and eyes is just as horrid as the upside-down mouth and eyes in the right-side up Thatcher (previous slide, lower-right).

Tony Blair Illusion

Vision scientist Stuart Anstis of the University of California, San Diego, created this illusion in 2005 to celebrate the 25th anniversary of the Thatcher illusion. Anstis reasoned that if face-neurons prefer right-side up face-features, they should also be selective for other evolutionarily stable aspects of faces. He tested this idea by comparing positive and negative images of Tony Blair. Because we have evolved to see faces only in positive contrast, it follows that the perception of individual face-features should fail if shown in negative. As with the Thatcher illusion, manipulating the whole face (as in panel A) made it less recognizable than the normal face (in panel C). Using positive images of the mouth and eyes overlaid on a negative face doesn’t look particularly grotesque either (as in panel B). But a positive image of Blair with negative mouth and eyes is just as horrid as the upside-down mouth and eyes in the right-side up Thatcher (previous slide, lower-right).



October 10, 2009, 8:36pm

Comments (View)
Photograph

Margaret Thatcher Illusion
This illusion by Peter Thompson of York University (UK) was a critical discovery in our understanding of face perception. When the illusion was discovered in 1980, scientists already knew that faces were difficult to recognize upside-down. But the assumption was that, since the brain always sees faces right-side up, the face-recognition cells were optimized for right-side up faces. This assumption was partially true, but the Thatcher illusion went further to show that the brain doesn’t simply process and store representations of whole faces per sé, but rather individual face-features (mouth, eyes, etc) in isolation of each other. The top and bottom row of Thatchers in the accompanying slide are identical to each other, but flipped vertically. The top row looks like two upside-down Thatchers, no problem there. But the bottom row looks like a Thatcher on the left, and a horrible mutant on the right. The reason is that, whereas the left column are normal faces (though the upper face is upside-down), the right column are Frankensteinish composites of Thatcher with only the eyes and mouths flipped vertically. The top right Thatcher doesn’t freak you out because the eyes and mouth are right-side up (though the overall face is upside-down), and your face-perception neurons therefore see them as “normal” (even though they don’t match the rest of the face). The bottom right image, to the contrary, is creepy because the eyes and mouth are upside down and thus all wrong, despite the fact that the face as a whole is right-side-up. Harvard neuroscientists Winrich Freiwald, Doris Tsao, and Margaret Livingstone have now found neurons in the brain that are selective to specific face-features such as mouths and eyes, confirming the predictions that were made from this illusion several decades earlier

Margaret Thatcher Illusion

This illusion by Peter Thompson of York University (UK) was a critical discovery in our understanding of face perception. When the illusion was discovered in 1980, scientists already knew that faces were difficult to recognize upside-down. But the assumption was that, since the brain always sees faces right-side up, the face-recognition cells were optimized for right-side up faces. This assumption was partially true, but the Thatcher illusion went further to show that the brain doesn’t simply process and store representations of whole faces per sé, but rather individual face-features (mouth, eyes, etc) in isolation of each other. The top and bottom row of Thatchers in the accompanying slide are identical to each other, but flipped vertically. The top row looks like two upside-down Thatchers, no problem there. But the bottom row looks like a Thatcher on the left, and a horrible mutant on the right. The reason is that, whereas the left column are normal faces (though the upper face is upside-down), the right column are Frankensteinish composites of Thatcher with only the eyes and mouths flipped vertically. The top right Thatcher doesn’t freak you out because the eyes and mouth are right-side up (though the overall face is upside-down), and your face-perception neurons therefore see them as “normal” (even though they don’t match the rest of the face). The bottom right image, to the contrary, is creepy because the eyes and mouth are upside down and thus all wrong, despite the fact that the face as a whole is right-side-up. Harvard neuroscientists Winrich Freiwald, Doris Tsao, and Margaret Livingstone have now found neurons in the brain that are selective to specific face-features such as mouths and eyes, confirming the predictions that were made from this illusion several decades earlier



October 10, 2009, 8:33pm

Comments (View)
Photograph

Dr. Angry and Mr. Calm
MIT vision scientist Aude Oliva and University of Glasgow researcher Philippe Schyns created this illusion by producing hybrids of two images.  The left picture shows Dr. Angry, and the picture on the right Mr. Calm. But if you step away from your computer screen you will see that appearances can be deceiving. Nice Mr. Calm becomes Dr. Angry, and that nasty Dr. Angry turns out to be a pretty decent fellow after all. Fine details are blurred away as you step back, leaving you with only the overall shapes and shadings of the images: what vision scientists refer to as the low spatial frequency content of an image. When you step up close again, the images are once again dominated by their fine details, which are referred to as high spatial frequencies.  The illusion works because the left face is composed of a high spatial frequency angry face with a calm face in low spatial frequencies. The right face is exactly the opposite. When the images are blurred (by stepping away) the different layers of the hybrid are revealed.

Dr. Angry and Mr. Calm

MIT vision scientist Aude Oliva and University of Glasgow researcher Philippe Schyns created this illusion by producing hybrids of two images.  The left picture shows Dr. Angry, and the picture on the right Mr. Calm. But if you step away from your computer screen you will see that appearances can be deceiving. Nice Mr. Calm becomes Dr. Angry, and that nasty Dr. Angry turns out to be a pretty decent fellow after all. Fine details are blurred away as you step back, leaving you with only the overall shapes and shadings of the images: what vision scientists refer to as the low spatial frequency content of an image. When you step up close again, the images are once again dominated by their fine details, which are referred to as high spatial frequencies.  The illusion works because the left face is composed of a high spatial frequency angry face with a calm face in low spatial frequencies. The right face is exactly the opposite. When the images are blurred (by stepping away) the different layers of the hybrid are revealed.



October 10, 2009, 8:31pm

Comments (View)
Photograph

The Illusion of Sex
The Illusion of Sex, by Harvard psychologist Richard Russell, won Third Prize at the 2009 Best Visual Illusion of the Year Contest. The two side-by-side faces are perceived as male (right) and female (left). However, both of them are versions of the same androgynous face. The two images are exactly identical, except that the contrast between the eyes and mouth and the rest of the face is higher for the face on the left than for the face on the right. This illusion shows that contrast is an important cue for determining the sex of a face, with low-contrast faces appearing male and high-contrast faces appearing female. And it may also explain why females in many cultures darken their eyes and mouths with make-up. A made-up face looks more feminine than a fresh face.

The Illusion of Sex

The Illusion of Sex, by Harvard psychologist Richard Russell, won Third Prize at the 2009 Best Visual Illusion of the Year Contest. The two side-by-side faces are perceived as male (right) and female (left). However, both of them are versions of the same androgynous face. The two images are exactly identical, except that the contrast between the eyes and mouth and the rest of the face is higher for the face on the left than for the face on the right. This illusion shows that contrast is an important cue for determining the sex of a face, with low-contrast faces appearing male and high-contrast faces appearing female. And it may also explain why females in many cultures darken their eyes and mouths with make-up. A made-up face looks more feminine than a fresh face.



October 10, 2009, 8:29pm

Comments (View)

On the Gallery

Text

If some decrepit horse riding artist sick of tuberculosis were driven around in circles in the circus arena on a swaying horse by a whip-swinging merciless boss for months without pause, whirring on the horse, blowing kisses, swaying with her waist, and if this play continued under the never-ending roaring of the orchestra and of the fans until the ever-opening gray future, accompanied by dying and newly rising applause of hands which actually are steam hammers maybe a young gallery visitor would hurry down the long stairs through all the aisles, would hurl himself into the circus arena, would call Halt! through the sounds of the fanfares of the ever-adapting orchestra.

However, since it is not so; since a beautiful lady, white and red, is coming flying in, in between the curtains, which the proud uniformed servants are opening up before her; since the director, looking devotedly for her eyes, is breathing towards her; lifts her precautiously onto the dapple-gray horse, as if she were his beloved granddaughter who is wandering on perilous paths; cannot decide to give the sign with the whip; finally gives it loudly in self-conquest ; runs along the horse open-mouthed; follows the riding girl’s jumps with attentive eyes; can hardly comprehend her skill; tries to warn with English exclamations; furiously admonishes the wheel-holding grooms to minutious attentiveness; conjures the orchestra with raised hands to be silent before the grand somersault; finally lifts the little girl off the trembling horse, kisses her on both cheeks and does not deem any praise of the audience sufficient; while she herself, supported by him, high on the tips of her feet, fanned by dust, her arms spread, her head laid back, wants to share her happiness with the whole circus ­ since it is so, the gallery visitor lays his face on the balustrade and, getting lost in the final march like in a deep dream, cries without knowing it.

—Franz Kafka



October 10, 2009, 5:57pm

Comments (View)
Photograph

Look at this fucking fuckface!

Look at this fucking fuckface!



September 16, 2009, 5:06pm

Comments (View)
Video

Georgette Dee - Seeräuber Jenny



September 07, 2009, 2:52am

Comments (View)
Video

Virgin Prunes - Decline and Fall



August 29, 2009, 10:59pm

Comments (View)
Audio

[Flash 9 is required to listen to audio.]

Franz Ferdinand - Womanizer



Played 1 time(s).

August 29, 2009, 10:38pm

Comments (View)
Photograph



August 01, 2009, 9:20pm

Comments (View)